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Her hair is falling like a veil all round her; through it she looks out at Rodney with eyes frightened and imploring. "In spite of all that has passed, I do entreat you to meet me at three o'clock this afternoon at the river, beneath the chestnut-tree. Do not refuse. Let no shrinking from the society of such as I am deter you from granting me this first and last interview, as what I have to say concerns not you, but those you love. I feel the more sure you will accede to this request because of the heavenly pity in your eyes last night, and the grace that moved you to address me as you did. I shall wait for you until four o'clock. But let me not wait in vain.—P. R." "To see poor Kitty Maloney, his widow. Last year she was my servant. This year she married; and now—here is the end of everything—for her.".

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As they were standing there looking at the water as it flowed by, the woman asked Old Man, saying, "How is it; shall we live always? Will there be no end to us?" Mona never afterwards could say which man was the first to make the attack, but in a second they are locked in each other's arms in a deadly embrace. A desire to cry aloud, to summon help, takes hold of her, but she beats it down, some inward feeling, clear, yet undefined, telling her that publicity on such a matter as this will be eminently undesirable. She smiles again. Lady Rodney, watching her intently, tells herself if this is acting it is the most perfectly done thing she ever saw in her life, either on the stage or off it. Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home.".